Traveller women give modern touches to Carmen
Reworked version of Bizet's opera of unrequited love and jealousy gets one-off performance at Royal Albert Hall
Ahmad Ali guardian.co.uk, Monday 2 March 2009 11.41 GMT
A modern version of Carmen written by Traveller women will be staged at the Royal Albert Hall today.
The one-off production will be performed in the Elgar Room by a cast of leading TV and stage actors. It is a collaboration between the Traveller Women's Group, based in Ealing, west London, and students from the Purcell School of Music in Hertfordshire.
Why Didn't I Tell You How Much I Loved You?, like the original that inspired it, is the story of an ill-fated Gypsy woman who falls in love with the wrong man. In the new version, however, Carmen has been replaced by Chantelle, an English Gypsy who falls in love with an Irish Traveller called Paddy.
"When we first heard about the offer we thought they were having a laugh," said Margaret, 40, one of the 16 writers involved in the project. She said she and the others were "delighted" to take part.
The women worked with playwright Darren Rapier and poet Ian McMillan in a series of workshops to realise their own interpretation, using Bizet's narrative as a starting point. They drew upon experiences of racism, and wrote about health issues affecting their communities, such as heavy smoking and difficulty accessing healthcare.
The tale focuses on internal differences within the Traveller population and undermines the misconception that Travellers are a homogenous group. According to Margaret: "Everyone thinks Irish and English Travellers are the same but there are differences in what girls are allowed to do." She added: "We are devout Catholics. Faith is central to our culture."
The story is set in London but much of the action takes place at the annual Appleby horse fair in Cumbria - one of the largest of its kind and an important cultural event in the Traveller calender. "The original happens in a tobacco factory," said Samantha, another of the writers. "We thought: 'Where would it take place for a Traveller?' We decided on Appleby as Irish dancing, horse dealing and everything in our culture are on display there," she added.
The project is a part of the Royal Albert Hall's training and participation programme, and follows on from the success of last year's Tosca project, in which ex-offenders from Enfield in north London rewrote the opera, setting it on a housing estate.
Alastair Tallon, head of learning and participation, said a key objective is to create interaction between groups that would not normally be in contact - in this case, Travellers and music students. Tallon, whose job is to diversify visitors to the Royal Albert Hall, said all the women involved in the project would come to see the production. He added: "Enjoying opera is not just about musical appreciation. It appeals to the human condition. We wanted to know how people relate to its themes."
Ahmad Ali guardian.co.uk, Monday 2 March 2009 11.41 GMT
A modern version of Carmen written by Traveller women will be staged at the Royal Albert Hall today.
The one-off production will be performed in the Elgar Room by a cast of leading TV and stage actors. It is a collaboration between the Traveller Women's Group, based in Ealing, west London, and students from the Purcell School of Music in Hertfordshire.
Why Didn't I Tell You How Much I Loved You?, like the original that inspired it, is the story of an ill-fated Gypsy woman who falls in love with the wrong man. In the new version, however, Carmen has been replaced by Chantelle, an English Gypsy who falls in love with an Irish Traveller called Paddy.
"When we first heard about the offer we thought they were having a laugh," said Margaret, 40, one of the 16 writers involved in the project. She said she and the others were "delighted" to take part.
The women worked with playwright Darren Rapier and poet Ian McMillan in a series of workshops to realise their own interpretation, using Bizet's narrative as a starting point. They drew upon experiences of racism, and wrote about health issues affecting their communities, such as heavy smoking and difficulty accessing healthcare.
The tale focuses on internal differences within the Traveller population and undermines the misconception that Travellers are a homogenous group. According to Margaret: "Everyone thinks Irish and English Travellers are the same but there are differences in what girls are allowed to do." She added: "We are devout Catholics. Faith is central to our culture."
The story is set in London but much of the action takes place at the annual Appleby horse fair in Cumbria - one of the largest of its kind and an important cultural event in the Traveller calender. "The original happens in a tobacco factory," said Samantha, another of the writers. "We thought: 'Where would it take place for a Traveller?' We decided on Appleby as Irish dancing, horse dealing and everything in our culture are on display there," she added.
The project is a part of the Royal Albert Hall's training and participation programme, and follows on from the success of last year's Tosca project, in which ex-offenders from Enfield in north London rewrote the opera, setting it on a housing estate.
Alastair Tallon, head of learning and participation, said a key objective is to create interaction between groups that would not normally be in contact - in this case, Travellers and music students. Tallon, whose job is to diversify visitors to the Royal Albert Hall, said all the women involved in the project would come to see the production. He added: "Enjoying opera is not just about musical appreciation. It appeals to the human condition. We wanted to know how people relate to its themes."
Labels: Carmen, Gypsy, Gypsy Women, Opera, Traveller Women's Group, Travellers, UK
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